It must be hard being a comic book super hero. Having to keep a dedicated diary just to keep track of your own backstory. This Saturday we’d like suggestions of advantages for the following origin paths: Animal, Clown and Wealth. Image Credit – American Clown by Thomas Hawk – CC-BY-NC-2.0
It’s not easy to fight a war when you’re a toy. Here are three more paths for toy heroes. Model – a toy that lives on a shelf. Plastic – either cheap or overpriced. Vehicle – could be a train, planes or automobile. Wooden – made from timber. Image Credit
Not all heroes are flesh and steel. The rainbow corps are toys and are no less couragous for it. Four more paths that are works in progress are: Early Learning – a toy for a very young child. Fabric and Stuffing – soft, fluffy and oh so huggable. Film Merchandise
The members of the Rainbow Corps are toys, dedicated to protecting the dreamlands. This means the adventure needs a dedicated set of paths. Four of these paths are: Animal – A toy shaped like an animal or something approaching an animal. Building Blocks – Made of many little parts that
Character creation doesn’t have to end once all the character points have been spent. If you want more customisation, you can dip into the metadata. Your character has four bits of metadata (defaults in brackets): Dynamic Potential [4], Static Potential [2], Potential Recoup [2] and Free Resist [1]. For a
I came up with this idea for one of our think tanks after finding the image. I like it so much I’m going to flesh it out. On the far outer planes exist creatures that feed on your dreams. The more innocent and happy the dreams, the tastier they are.
You’ve got your concept and you know the role your character will be filling in the group. The story leader has explained the setting and has given you the standard 70 character points to spend. Here is my advice on how to spend them during character creation. Before you can
Sometimes it is good to have a no-nonsense combat encounter. A chance for the players to roll dice and character’s to crush skulls without worrying about the consequences. Tonight’s RPG brainstorming topic is to think of a standalone combat encounter but with a twist. There must be a single boss
I’m continuing to follow Rich Burlew’s guide to creating a villain. As you can see from the title, I’ve named her Iola. There’s nothing behind this name, it’s simple one that I liked the sound of. Part 1 is here. Step 6: What obstacles must the villain overcome? The players characters
A while back I read this old(ish) article by Rich Burlew on creating villains for campaigns. As both an exercise for my creative addictions and to plug 6d6 Hellenic, I’m going to take his 14 steps and build a villain for an as yet unwritten 6d6 Hellenic Campaign. Step 0:
